Dressage Equipmenttraining equipment
Podhajsky's dressage uniforms and the minimalist, utiliitarian equipment emphasize the dressage sport's militaristic origin. It' s a completely different image, partly because of the sex of the horsewoman and the difference between her sports mare (Valegro, a Dutch warmblood of sports horses ) and Podhajsky's champ (Nero was a thoroughbred ex-racer).
You will also see clear variations in the equipment on a surface view. Dujardin's nut has a higher knob and knob (although by today's standard minimal). The changes in equipment, many of which are designed to enhance the level of athletic ability and athletic ability, are mirrored in the highest level of dressage, but a stroll around the show grounds will show similar changes.
Charles de Kunffy identified in his dressage principles the foundations of classic dressage as the 1773 École de Cavalerie published by François de La Guérinière and based on the teaching of the famous dressage champion Antoine de Pluvinel. The École de Cavalerie's illustration shows a large number of different parts of a horse from this time, which carried straight fences, and was made in artistic saddles.
The USDF reports that dressage continued to be firmly anchored in the army until the middle of the 19th century. "Following the dissolution of the US Cavalry in 1948, the emphasis of dressage changed from fighting to civil competitions and sports and began to gather pace. Both men and females were enthusiastic about dressage and in 1952 the first females were able to participate in the Olympic Games.
" As a result of the change from militaristic to civil domination in sports, there have been many changes in today's dressage, many of which are mirrored in the development of equipment for today's game. She is co-chaired the USEF Dressage Committee, has been a Dressage Manager, an FEI dressage instructor and a qualified saddler mechanic.
Former Chairman of the British Society of Saddlers, Laurence Pearman is a champion rider and skilled saddlery assembler and surveyor. An owner of Cirencester Saddlers in the UK, an appropriate consulting firm and a retailer, he also gives regular talks on the manufacture and adjustment of semitrailers. Both Pearman and Gorretta believe that many of the advanced changes to dressage calipers can make a major contribution to enhancing the working environment of the equine.
Contemporary shaped plastic logs still mirror this base but they have been shaped everywhere to create a very broad oesophagus for the horses and to preserve this area while the horses work under the saddles. "While this advancement in harness designs is beneficial to the overall equine performance, Pearman is adding a reservation - today's broader saddles with cushions and bumpers require a more ingenious fitting.
This is so beneficial for the horses that it also increases the trend of the calf slipping. Today it is also customary to see dressage jumpers that can be adapted either by a horseman himself or by a saddler mechanic who has been specially educated for this make of tack using special equipment manufactured by the producer.
The most frequent do-it-yourself innovation by far is a nut with variable head iron plates. But the fact that you can adjust the width of a rider's seat doesn't make him feel good if he doesn't match the horses at first. "She states that the best application for the interchangeable esophagus is when the base shape, angle and distance are accurate for a particular equine that is still in development and actually changes width.
In the absence of this organically shaped shape, it says that the variable esophagus does not "solve" the mystery for the hind. Tree is not the only part of the seat that has been innovated. Although leathers are still the most commonly used and favoured outer materials for dressage calipers, artificial alternatives can reduce costs and increase comfort.
Whereas many of our nutbacks are still made with conventional woollen flock, foams and rubber are now commonplace. The way the calipers developed, so did the bit and teth. As Pearman says: "It can look like there's a new set of tacks on the shelves every weekend. The Pearman range points to some of the most important new features in harness design: raised cushioning, especially at the crown and nose straps, enlarged width of the horse's brow and anatomical cuts behind the horse's ears.
Hopefully, the aim of these changes is to remove bruises on the horse's forehead and encourage the rider to move towards the bridles in comfort. That has enhanced the well-being of the horses," she says. The dressage is supposed to showcase and enhance the beautifulness of our animals. As long as the equipment you use pays your compliment to your mare and the competition is focused on the mare, that's great," Gorretta states.
Everything that distracts so much that you concentrate more on the diadem on the headband than on how the overall running of the equine is not. "According to Gorretta, all these thoughts are part of an overall image that allows the viewer to concentrate on the entire equine and equestrian mix instead of concentrating on the turnaround.
"In the past, there was no such thing as blings on dressage jumpers, bridle and... well, everything," says Pearman. "He admits that traditional athletes don't always have the same feeling, but he says that dressage is a glamourous activity and a well chosen tactic promotes the show. Ever since the time when dressage was reserved for the army, the turning point has developed to satisfy the varying needs of the rider and his horse.
Overall, saddlery and bridles are benefiting from the fact that today's saddlery and bridlessmakers as well as producers of bit, straps, support cushions and other equipment are generally being kept up to date with more research than ever before. But the number of available choices today for horsemen trying to choose the optimum turn on the basis of their resource and the needs of their horse can seem depressing.
The right equipment is important for every driver with a sense of responsibility. Of course, saddles and bridles must sit properly to keep the horses comfortable and healthy. Let me not go into the individual devices in more detail here, but rather talk a little about the general subject of turning and equipment according to the Klimke traditions.
I don't think a device is necessarily good just because it's new. I am not an ardent supporter of dressage horses with thick knees that put the horseman in place. My preference is a shallower seat with less kneecap so that I can get nearer to the horses and track their movements.
In my case you can still see the old string straps that were used in dressage jumping arenas. There is a good fit of the saddle on these belts and the tightening force is evenly spread. They also get higher, which is good, because I really tend to stretch the harness when I am on horseback, especially with jumpy or very delicate cats.
I don't have to lean so far with those saddle straps to get tight. My default equipment for everyday use is an British Caveson. This is because the compression of the noseband not only affects the rods of the palate and polls, but is also spread over the noseband, allowing me to affect the horses more efficiently and easily.
However, a nose strap does not work on every single animal. But if I need the lash for a certain purpose, it is there - in this case I use it quickly and then keep it passive again, so that neither my horses nor I get used to it. Participants in the three-day event are not permitted to wear a dressage lash, which is the same standard as in dressage competitions.
Our aim is to prepare the horses in such a way that they can be trained from the outset with sophisticated equipment, so they should get used to it.